Dynamic Geometry designed for the International Biennale of Contemporary Art Beijing 798.

Geometry is the main object of research in my artistic production. This research is divided in two lines of work. The first one refers to the analisys of shapes in order to highlight specific features of the exhibition space. The second one is the study of the body understood as a performance tool.

By working with Dynamic Geometry, the logic applied to the construction of the work questions the exhibition place. In this case, the corner of the gallery, initially a void place, is anatomically transformed into the art work. This means that the work is converted into both measurable and intangible matter at the same time, like an ensemble of vectors in the space that maintain a certain order.