Like the space that surrounds us, the impalpable, the invisible, is closely related to the processes. Therefore, the performative acquires on the one hand the importance of establishing a dimension with the spatial problem, of context. On the other hand it assumes the revealing process as one of the axes of my work.

To draw imaginary lines in space, to translate their dimensions and characteristics it is important that this line was executed by the movement of a body. What happens if that action is proposed as the event over the result? It is in the experience where the problems that interest me are manifested. That existing gap between a work and the spectator which Allan Kaprow knew how to fully assume also makes me think of building as a single body an experience that allows us to look at ourselves while being aware of the other.